René Girard: Sacrifice, trad. M. Patillo y D. Dawson, Breakthroughs in Mimetic Theory, Michigan State University Press, 2011.

Sixty years after the famous ‘Conférence des écrivains et artistes noirs at the Sorbonne’, and sixty years after Black-Label, the third collection of poetry by French Guianese Leon-Gontran Damas, the word “nègre” and “nigger” remain offensive words all too much used in postcolonial Europe today. Even after the short lived Obamamania, Damas’s poetry remains actual as it expresses the censorship all too many times endured by the lyrical voice who cannot speak out loud against those violent verbal, physical, and thus (...) psychological assaults. Consequently, his “mors dans la bouche”, or “bit in the mouth” is incoporated in his less wellknown work which testifies to the “mort dans l’âme”, it is the constant feeling of depression and blues lurking on the Black or coloured citizen of France and the West Indies. Standing in the shadow of the cofounders, and quite neglected by the leading Martinicans of the post-Négritude era, Damas nevertheless understood the urgency of transcontinental and transcultural solidarities in this battle and wrote against the dichotomies of race, class, and gender. Damas and James knew each other for over forty years. Damas read James’s novel, Minty Alley before they met in Paris when James was doing the research for The Black Jacobins, his landmark history of Tousssaint L’Ouverture and the revolution in the French colony of Saint-Domingue. Damas helped James with translations and discovering documents at the Bibliothèque Nationale. On one occasion, Damas brought James to the home of Robert Desnos. Both lived in Washington, DC, in the 1970s when Damas was at Howard University and James taught at Federal City College/University of the District of Columbia. (shrink)

Le Laboratoire d’ANalyse Cognitive de l’Information (LANCI) effectue des recherches sur le traitement cognitif de l’information. La recherche fondamentale porte sur les multiples conceptions de l’information. Elle s’intéresse plus particulièrement aux modèles cognitifs de la classification et de la catégorisation, tant dans une perspective symbolique que connexionniste. La recherche appliquée explore les technologies informatiques qui manipulent l’information. Le territoire privilégié est celui du texte. La recherche est de nature interdisciplinaire. Elle en appelle à la philosophie, à l’informatique, à la linguistique (...) et à la psychologie. Volume 6, Numéro 2007-02 – Août 2007 Publication du Laboratoire d’ANalyse Cognitive de l’Information Directeurs : Luc Faucher, Jean-Guy Meunier, Serge Robert et Pierre Poirier Université du Québec à Montréal Document disponible en ligne à l’adresse suivante : www.lanci.uqam.ca Tirage : 5 exemplaires Aucune partie de cette publication ne peut être conservée dans un système de recherche documentaire, traduite ou reproduite sous quelque forme que ce soit - imprimé, procédé photomécanique, microfilm, microfiche ou tout autre moyen - sans la permission écrite de l’éditeur. Tous droits réservés pour tous pays. / All rights reserved. No part of this publication covered by the copyrights hereon may be reproduced or used in any form or by any means - graphic, electronic or mechanical - without the prior written permission of the publisher. Dépôt légal – Bibliothèque Nationale du Canada Dépôt légal – Bibliothèque Nationale du Québec.. (shrink)

This paper is based on the archives of Michel Foucault collected (since 2013) at the Manuscripts Department of the Bibliothèque nationale de France in Paris. Our investigation focuses in particular on a complete manuscript, until now totally unknown and entitled ‘ Phénoménologie et psychologie’ (‘Phenomenology and Psychology’). This manuscript could be the first project for a thesis devoted to ‘The Notion of the “World” in Phenomenology’, written around 1953–4, at the same time as a manuscript on Binswanger and (...) existential psychiatry and as a manuscript on philosophical anthropology. We aim to show the importance that phenomenology seems to have held for Foucault at the beginning of the 1950s and in particular the role that it could have played in Foucault’s distancing himself from a naturalist psychology and a philosophy of consciousness to which he opposes a philosophy of the world, of being and of language. Foucault thus discovers a truth of the phenomenology which rests on the radicality of the transcendental gesture and on the access to an ontology gathering the being, the meaning and the language. (shrink)

This paper is based on the archives of Michel Foucault collected (since 2013) at the manuscripts department of the Bibliothèque nationale de France, Paris. Our investigation focuses in particular on the documents of the 1950s, in order to study the role of the reflection on anthropology and phenomenology at the beginning of Foucault’s philosophical path. This archival material allows us to discover the tremendous work that is at the basis of the relatively few works that Foucault published in (...) the 1950s. The access to the 1950s documents enables us at last to investigate the reasons for the seemingly sharp break that divides these works from the works published by Foucault in the 1960s and the 1970s, in which emerges the archaeological refusal of phenomenology and anthropology, as well as the strong criticism against any form of psychopathological discourse. (shrink)

In an archived draft at the Bibliothèque nationale de France, Foucault describes two questions haunting him since 1963: “Why are we obliged to tell the truth about ourselves? Which truth?” Foucault poses these two questions in 1980 in drafts for his lectures at the University of California, Berkeley, and I see in these two questions two argumentative threads that weave through Foucault's changing History of Sexuality series over his last decade. These two threads correspond to the dimorphism Foucault (...) frames in Part III of Confessions of the Flesh between confessing monks and married men, that correlates with the distinction between “veridiction” and “juridiction” as two forms relating subjectivity and sexuality. To help tease out these threads, I make two recommendations for how to read Confessions of the Flesh in this following review essay: (1) situate Confessions of the Flesh in relation to Foucault's History of Sexuality series which spans his last decade from 1974 to 1984 and (2) untangle two major threads of Confessions of the Flesh in Foucault's treatment of Cassian and Augustine, as progenitors of veridiction and juridiction respectively, which together produce the conditions for modern disciplinary subjects. (shrink)

The anonymous set of astronomical tables preserved in Paris, Bibliothèque nationale de France, MS lat. 10262, is the first set of displaced tables to be found in a medieval Latin text. These tables are a reworking of the standard Alfonsine tables and yield the same results. However, the mean motions are defined differently, the presentation of the tables is unprecedented, and some new functions are introduced for computing true planetary longitudes. The absence of any instructions as well as (...) unusual technical terms in the headings make it difficult to appreciate the cleverness that went into the construction of these tables that are extant in a unique copy. In this article we provide a detailed analysis of these tables and their underlying parameters. The displaced tables are typical of a pervasive tendency in Islamic science to provide extensive and elegant numerical tables for the convenience of practitioners. The underlying astronomical theory is neither questioned nor affected.Edward S. Kennedy. (shrink)

In July 1940, Simone de Beauvoir began a routine of going to the Bibliothèque Nationale most days from 2.00 to 5.00 p.m. to read G. W. F. Hegel's Phenomenology of Spirit. Hitler's armies had invaded and occupied Paris earlier, on June 14, 1940. She was teaching philosophy classes at a girls' lycée and living in her grandmother's empty apartment. Her close companion, Jean-Paul Sartre, who had been a soldier in a meteorological unit of the French Army, had been (...) captured and was now being held in a German prisoner-of-war camp. Beauvoir was relieved to receive a note from him sent on July 2 saying he was being well treated, but life in Paris was dismal. Food was scarce, and the German troops were grim reminders of Parisians' lack of political freedom. Her reading routine helped soothe the dread, isolation, and alienation she felt. Beauvoir had always been a very earnest student. She had passed the demanding aggregation exam in philosophy at the young age of twenty-one. To supplement her knowledge of classical philosophical texts, she learned German and read texts in phenomenology. In 1935 she had read Edmund Husserl's The Phenomenology of Internal Time-Consciousness “without too much difficulty.” She also read Heidegger and translated long passages into French for Sartre. Back when she was in college, her prodigious work habits had earned her a special nickname among her friends: Castor, or the beaver. Poring over a difficult philosophical text in a foreign language for three hours a day might seem a strange way to get through such times, but with her it made sense. (shrink)

Perception, corps et mouvement. L’esthétique anthropologique del’expression dans l’inédit Le monde sensible et le monde de l’expression de Maurice Merleau-PontyL’article se consacre à une analyse ponctuelle du manuscrit inédit de Merleau-Ponty sur Le monde sensible et le monde de l’expression, aujourd’hui conservé à la Bibliothèque Nationale de France, et qui correspond au cours du philosophe au Collège de France durant l’année académique 1952-1953. L’analyse exclusive de l’inédit suit des perspectives bien précises : il s’agit de reconstruire, à partir (...) d’une définition merleau-pontienne originale de l’espace culturel comme espace anthropologique, ce qui pourrait ressembler à une nouvelle esthétique de l’expression d’origine anthropologique ; suivant le fil des analyses de La structure du comportement et de la Phénoménologie de la perception – non sans un remarquable sens critique vis-à-vis de ces textes des années quarante – cette analyse reconsidère la notion d’expression à la lumière de celle de mouvement. Les recherches merleau-pontiennes des années cinquante donc, – resquecontemporaines de La prose du monde et qui partagent avec celle-ci l’idée d’une origine saussurienne de la diacriticité des signes linguistiques – donnent naissance, selon nous, à une véritable esthétique du mouvement expressif, solidement fondée sur une philosophie de la biologie et sur une anthropologie philosophique. Au cours de l’article, de façon contextuelle et spontanée, on relie, de manière hypothétique, la pensée merleau-pontienne de ces années-là et celle de certains « auteurs fondamentaux » que Merleau-Ponty cite explicitement ou dont il reproduit la dynamique théorique : Helmuth Plessner, Aldolf Portmann, Jakob Von Uexküll, Friedrik J.J. Buytendijk, et en particulier – en raison de leur parenté philosophique évidente – Vicktor Von Weizsäcker, celui du Der Gestaltkreis et des écrits autobiographiques Anonyma.Perception, Body, and Movement. The Anthropological Aesthetics of Expression in Merleau-Ponty’s UnpublishedThe Sensible World and the World of ExpressionThe article is devoted to a point by point analysis of Merleau-Ponty’s unpublished manuscript on The Sensible World and the World of Expression, which is currently found in Bibliothèque Nationale de France, and which corresponds to the course he taught at the Collège de France in the academic year 1952-53. The analysis, exclusively of this unpublished course notes, follows some very precise directions. What is at issue is to reconstruct, on the basis of a definition, which is original with Merleau-Ponty, of cultural space as anthropological space; this definition could resemble a new aesthetic of expression which would have an anthropological origin. Then following the thread of analyses found in The Structure of Behavior and the Phenomenology of Perception – not without a noticeable critical stance in relation to these texts from the 1940s – my analysis considers the notion of expression in light of that movement. Merleau-Ponty investigations during the 1950s therefore – nearly contemporaneous with The Prose of the World and which share with it the idea of a Saussurean origin of the diacriticity of linguistic signs – give birth, in my view, to a genuine aesthetics of expressive movement, solidly grounded on a philosophy of biology and on a philosophical anthropology. Over the course of the article, in a way contextual and spontaneous, we reread, in a hypothetical way, Merleau-Ponty’s thought during this time period, and the thought of “fundamental writers” who Merleau-Ponty had cited explicitly or whose theoretical dynamism he had reproduced: Helmuth Plessner, Aldolf Portmann, Jakob Von Uexküll, Friedrik J.J. Buytendijk, and, in particular – because they are clearly related philosophically – Vicktor Von Weizsäcker, his Der Gestaltkreis and his autobiographical writings called Anonyma. (shrink)

Perception, corps et mouvement. L’esthétique anthropologique del’expression dans l’inédit Le monde sensible et le monde de l’expression de Maurice Merleau-PontyL’article se consacre à une analyse ponctuelle du manuscrit inédit de Merleau-Ponty sur Le monde sensible et le monde de l’expression, aujourd’hui conservé à la Bibliothèque Nationale de France, et qui correspond au cours du philosophe au Collège de France durant l’année académique 1952-1953. L’analyse exclusive de l’inédit suit des perspectives bien précises : il s’agit de reconstruire, à partir (...) d’une définition merleau-pontienne originale de l’espace culturel comme espace anthropologique, ce qui pourrait ressembler à une nouvelle esthétique de l’expression d’origine anthropologique ; suivant le fil des analyses de La structure du comportement et de la Phénoménologie de la perception – non sans un remarquable sens critique vis-à-vis de ces textes des années quarante – cette analyse reconsidère la notion d’expression à la lumière de celle de mouvement. Les recherches merleau-pontiennes des années cinquante donc, – resquecontemporaines de La prose du monde et qui partagent avec celle-ci l’idée d’une origine saussurienne de la diacriticité des signes linguistiques – donnent naissance, selon nous, à une véritable esthétique du mouvement expressif, solidement fondée sur une philosophie de la biologie et sur une anthropologie philosophique. Au cours de l’article, de façon contextuelle et spontanée, on relie, de manière hypothétique, la pensée merleau-pontienne de ces années-là et celle de certains « auteurs fondamentaux » que Merleau-Ponty cite explicitement ou dont il reproduit la dynamique théorique : Helmuth Plessner, Aldolf Portmann, Jakob Von Uexküll, Friedrik J.J. Buytendijk, et en particulier – en raison de leur parenté philosophique évidente – Vicktor Von Weizsäcker, celui du Der Gestaltkreis et des écrits autobiographiques Anonyma.Perception, Body, and Movement. The Anthropological Aesthetics of Expression in Merleau-Ponty’s UnpublishedThe Sensible World and the World of ExpressionThe article is devoted to a point by point analysis of Merleau-Ponty’s unpublished manuscript on The Sensible World and the World of Expression, which is currently found in Bibliothèque Nationale de France, and which corresponds to the course he taught at the Collège de France in the academic year 1952-53. The analysis, exclusively of this unpublished course notes, follows some very precise directions. What is at issue is to reconstruct, on the basis of a definition, which is original with Merleau-Ponty, of cultural space as anthropological space; this definition could resemble a new aesthetic of expression which would have an anthropological origin. Then following the thread of analyses found in The Structure of Behavior and the Phenomenology of Perception – not without a noticeable critical stance in relation to these texts from the 1940s – my analysis considers the notion of expression in light of that movement. Merleau-Ponty investigations during the 1950s therefore – nearly contemporaneous with The Prose of the World and which share with it the idea of a Saussurean origin of the diacriticity of linguistic signs – give birth, in my view, to a genuine aesthetics of expressive movement, solidly grounded on a philosophy of biology and on a philosophical anthropology. Over the course of the article, in a way contextual and spontaneous, we reread, in a hypothetical way, Merleau-Ponty’s thought during this time period, and the thought of “fundamental writers” who Merleau-Ponty had cited explicitly or whose theoretical dynamism he had reproduced: Helmuth Plessner, Aldolf Portmann, Jakob Von Uexküll, Friedrik J.J. Buytendijk, and, in particular – because they are clearly related philosophically – Vicktor Von Weizsäcker, his Der Gestaltkreis and his autobiographical writings called Anonyma. (shrink)

This paper comprises two parts. The first part is an introduction to Auriol’s moderate conceptualism, as it is presented in his Commentary on Book II of the Sentences, distinction 9, question 2, article 1. The second part is an edition of the text. In the introduction, I focus on Auriol’s use of the noetic tool of connotation. My thesis, in particular, is that connotation is a necessary prerequisite to his moderate conceptu- alism. To this purpose, the first part of this (...) introduction will be devoted to a brief presentation of Auriol’s conceptualism. In the second part, Auriol’s theory of essential predication will be presented. In the third part, I will present my claim that Auriol’s theory of essential predication can only be made sense of when read against the background of his theory of connotation as applied to intellectual cognition. Finally, I will offer a collation of Auriol’s Commentary on Book II of the Sentences, dis- tinction 9, question 2, article 1, obtained by collating eight manuscripts, which hand down Auriol’s text, that is, Firenze, Biblioteca nazionale centrale, ms. Conv. Soppr. B.6.121, Firenze, ms. Conv. Soppr. A. 3.120, Napoli, Biblioteca nazionale, ms. VII.C.3, Padova, Biblioteca Antoniana, ms. 161, scaff. ix, Paris, Bibliothèque nationale de France, ms. latin 15867; Pelplin, Biblioteka Seminarium duchownego, ms. 46/85, Vaticano (Città del), Biblioteca Apostolica, ms. Borgiano 404, Vaticano (Città del), Biblioteca Apostolica, ms. Vat. lat. 942. (shrink)

As is well known, this poem, which stood in the Anthologia Latina, is preserved in two MSS. only, the Salmasian and the Pithoean , Nos. 10318 and 8071 in the Bibliothèque Nationale in Paris; ‘the handwriting dates’ the former ‘as written at the end of the seventh or the beginning of the eighth century; the other…is about two hundred years later in date. Modern scholars regard both MSS. as traceable to a common archetype, probably of the sixth century’ (...) . At first sight these MSS. seem quite untrust-worthy, for they differ from each other in more than one hundred words, while the scribe of S copied the refrain incorrectly twice, the scribe of T twice as often. Strangely enough, however, these variations are comparatively unimportant, for most of them disappear when the spelling of the two clerks is assimilated to some recognized usage. Each manuscript in turn corrects the other in many of these passages, and conjecture has successfully emended nearly all of the remainder—the variation S peruiclanda, T peruigila in v. 47 is perhaps the only passage of this kind which still causes anxiety. The grave corruptions of the text are found in passages in which the MSS. are in agreement; they agree exactly in five lacunae, T having an additional one; in two or more misplaced passages; in the placing of the refrain, with all of which matters I deal below; they agree exactly in an error in the title ‘Peruirgilium’ for ‘Peruigilium,’ and in about twelve lines, of which vv. 51 and 79 have almost certainly been preserved in an incorrect form. (shrink)

© Mind Association 2018Some time ago I was at the Bibliothèque Nationale in Paris investigating the teaching of philosophy during Descartes’ time. Fine monographs had already been published on the various regimens and practices at Descartes’ college at La Flèche, and Jesuit institutions in general, as well as the collegiate curriculum in seventeenth-century France. But as interested as I was in the form of the teaching—how philosophy was taught, where, and when—I was more interested in its content—what was (...) actually taught. A fair number of early modern textbooks and some manuscripts of lectures and student notebooks were still available; beyond that, one could find reports of weekly or monthly disputations, condemnations of specific doctrines, various broadsheets, manifestos, and student theses and dissertations. After overcoming some administrative resistance, I found myself in a room at the Cabinet d’Estampes looking at a... (shrink)

Any study of the 'Scientific Revolution' and particularly Descartes' role in the debates surrounding the conception of nature (atoms and the void v. plenum theory, the role of mathematics and experiment in natural knowledge, the status and derivation of the laws of nature, the eternality and necessity of eternal truths, etc.) should be placed in the philosophical, scientific, theological, and sociological context of its time. Seventeenth-century debates concerning the nature of the eternal truths such as '2 + 2 = 4' (...) or the law of inertia turn on the question of whether these truths were created along with nature, or were uncreated and subsisting in God's mind. One's answer to that question has direct consequences for conceptions of the necessity/contingency of mathematical and natural knowledge, how knowledge of such truths is accomplished by humans, and what grounds these truths. In this paper, I review the positions of four successors to Descartes' philosophy on the question of the eternal truths to illustrate how in specific ways that question with its theological, metaphysical, modal, and epistemological dimensions concerned the objectivity and certainty of the discoveries of the new science. Author Recommends: Clarke, Desmond. Descartes' Philosophy of Science . University Park, Penn State Press, 1982. This work provides an account of Descartes as a practicing scientist whose rationalism is mitigated by reliance on experiment and experience. Author re-examines Descartes' philosophical and scientific works in this new light. Dear, Peter. Revolutionizing the Sciences: European Knowledge and its Ambitions, 1500–1700 . Princeton, Princeton University Press, 2001. This work provides a useful overview of the issues and thinkers of the Scientific Revolution. Of particular relevance is chapter 8 on Cartesian and Newtonian science. Funkenstein, Amos. Theology and the Scientific Imagination from the Middle Ages to the Seventeenth Century . Princeton, Princeton University Press, 1986. This work is an advanced study of the theological and metaphysical foundations of early modern science. Discussions include questions of God's nature, God's knowledge in relation to human knowledge, providence, the laws of nature, and the truths of mathematics. In particular, chapter 3 discusses Descartes' account of the eternal truths and divine omnipotence. Garber, Daniel. Descartes' Metaphysical Physics . Chicago, University of Chicago Press, 1992. This work examines how Descartes' metaphysical doctrines of God, soul, and body set the groundwork for his physics. It includes a study of God and the grounds for the laws of physics (chapter 9). Henry, John. The Scientific Revolution and the Origins of Modern Science . 3rd ed. New York, Palgrave, Macmillan Press, 2008. This work provides a brief, general, and informative overview of the Scientific Revolution, including the themes of method, magic, religion, and culture. Osler, Margaret J. Divine Will and the Mechanical Philosophy: Gassendi and Descartes on Contingency and Necessity in the Created World . Cambridge, Cambridge University Press, 1994. This work is an examination and comparison of the mechanical philosophies of Gassendi and Descartes. It offers in-depth discussion of the issue of voluntarism and intellectualism in the period and how that related to conceptions of laws of nature and the eternal truths. Shapin, Steven. The Scientific Revolution . Chicago, University of Chicago Press, 1996. This work provides a critical synthesis of as well as a guide to recent scholarship in the history of science for a general readership. Online Materials Dr. Robert A. Hatch's Scientific Revolution Website: http://web.clas.ufl.edu/users/rhatch/pages/03-Sci-Rev/SCI-REV-Home/ A compendium of resources for the study of Scientific Revolution. Early English Books Online: http://eebo.chadwyck.com/home Early English Books Online (EEBO) contains digital facsimile page images of virtually every work printed in England, Ireland, Scotland, Wales and British North America and works in English printed elsewhere from 1473 to 1700. Early Modern Resources: http://www.earlymodernweb.org.uk/emr/ Early Modern Resources is a gateway for all those interested in finding electronic resources relating to the early modern period in history. Gallica, the Digital Library of the Bibliothèque Nationale de France: http://gallica.bnf.fr/ An ever-growing digital library which includes numerous primary and secondary texts of relevance to Descartes and his role in Scientific Revolution. Hatfield, Gary, 'René Descartes', The Stanford Encyclopedia of Philosophy. Spring 2009 ed. Ed. Edward N. Zalta; URL: http://plato.stanford.edu/archives/spr2009/entries/descartes/ Slowik, Edward, 'Descartes' Physics', The Stanford Encyclopedia of Philosophy. Winter 2008 ed. Ed. Edward N. Zalta; URL: http://plato.stanford.edu/archives/win2008/entries/descartes-physics/ Syllabus Sample Syllabus: Cartesian Science The following is five weeks covering Cartesian Science in a course on Descartes or the Scientific Revolution, or 17th-century theories of matter, or related themes on early modern truth and method, especially on the continent. This material is best suited to a graduate level audience, but it could be modified to suit an upper-division undergraduate course, as the readings are basically primary texts whose context and background can be explained in lectures. Week 1: Cartesian Revolution in France • Scientific method • Role of mathematics and experiment • Certainty of scientific knowledge Readings: Hatfield, Gary, 'René Descartes', The Stanford Encyclopedia of Philosophy. Spring 2009 ed. Ed. Edward N. Zalta; URL: http://plato.stanford.edu/archives/spr2009/entries/descartes/ Descartes, Discourse on Method , Parts 1–3 Descartes, Meditations on First Philosophy , First Meditation. Week 2: Descartes' Scientific Treatises • Mechanization and mathematization of nature • Primary–secondary quality distinction Readings: Discourse on Method, Parts 4–6 Selections from Descartes' Scientific Essays: The World or Treatise on Light (ATXI 3–48); Treatise on Man (ATXI 119–202); Optics (ATVI 82–147). Slowik, Edward, 'Descartes' Physics', The Stanford Encyclopedia of Philosophy. Winter 2008 ed. Ed. Edward N. Zalta; URL: http://plato.stanford.edu/archives/win2008/entries/descartes-physics/ Henry, John, 'The Mechanical Philosophy,' chapter 5. The Scientific Revolution and the Origins of Modern Science . 3rd ed. Macmillan, 2008. Week 3: Descartes' Theory of Nature • Descartes' derivation of the law of conservation and the three laws of motion • God's role in the metaphysics and physics of nature Readings: Selections from Principles of Philosophy, Preface (all); Letter to Elizabeth; Part I: 1–8; Part II: 1–45, 55, 64; Part III: 1–4, 15–19, 45–47; Part IV: 187–207. John Henry, 'Religion and Science,' chapter 6. The Scientific Revolution and the Origins of Modern Science . 3rd ed. Macmillan, 2008. Week 4: Post-1650 Cartesian Science: Necessity and Contingency in Nature • Debates on God, Creation, and Causes Readings: Easton, Patricia, 'What is at Stake in the Cartesian Debates on the Eternal Truths?' Philosophy Compass 4.2 (2009): 348–62. Malebranche, Nicolas, 'Elucidation 10', from The Search after Truth (1674). Note: All selections available in Nicolas Malebranche (1992). Philosophical Selections , edited by S. Nadler, Hackett. Gottfried Leibniz (1714) Monadology . Week 5: Causes in Nature and Morals • Theodicy as an explanation of defect and evil in a lawful universe: Malebranche v. Leibniz Readings: Nicolas Malebranche, Elucidation XVI (on occasionalism), and Treatise on Nature and Grace, Discourse One, Part 1. Gottfried Leibniz (1706), Theodicy. Focus Questions Weekly questions can be used to focus the readings. This can be done in a web or e-mail discussion thread, as a weekly assignment, or for in class discussion. I require students to post a short paragraph in response to the question or some posting by a classmate on the question. Students are required to post by 10 a.m. the day before we meet for class on a course website. Week 1: According to Descartes, what role does skepticism play in scientific reasoning? Week 2: Comment on the following: 'But I am supposing this machine to be made by the hands of God, and so I think you may reasonably think it capable of a greater variety of movements than I could possibly imagine in it, and of exhibiting more artistry than I could possibly ascribe to it' [ Treatise on Man ; ATXI 120]. Week 3: What is Descartes' conception of the relation between the metaphysics and physics of nature? Week 4: Critically discuss the positions of Descartes, Malebranche, and Leibniz on what provides the foundation for the certitude of natural knowledge? Week 5: Explain why both Malebranche and Leibniz consider moral sin to be analogous to natural defect? Seminar/Project Idea Hold a debate on the question of the status of the eternal truths. The proposition will be Descartes' position: 'Eternal truths must be both created and necessary if certainty in science is to be possible'. Format: 1. At the beginning of the 5-week module, students will be assigned to one of three roles: Team A, Team B, and judge's panel. Students will be given the debate proposition, but will not be told which team will take the affirmative and which team the negative until the time of the debate. 2. Recommend a variation on the Classic Debate Format to encourage the development of argument: sequence begins with affirmative construction (8 minutes), negative construction (8 minutes), second affirmative construction (8 minutes), second negative construction (8 minutes), first negative rebuttal (4 minutes), first affirmative rebuttal (4 minutes), final negative rebuttal (4 minutes) and final affirmative rebuttal (4 minutes). 3. Judges Panel: will consist of 3–4 judges who will assess the performance of Teams A and B. Judgment should be based on the persuasiveness of the team position. 4. Debate will be held at the end of the fifth week, or semester, whichever makes most sense given the course length and structure. Acknowledgements The author gratefully acknowledges the immensely helpful comments and suggestions by the participants in her graduate seminar on the Scientific Revolution: Benjamin Chicka, Sarah Jacques-Ross, Richard Ross, Marcella Stockstill, and Zohra Wolters. (shrink)

Der einzige aus Byzanz erhaltene (fast) vollständig illustrierte Historikertext ist nun endlich durch eine Facsimile-Ausgabe in Originalgröße der Forschung zugänglich, während das Original leider für immer dem Tresor anvertraut wurde. So war es dem Rezensenten auch nicht möglich, die farbliche Qualität der Ausgabe mit dem Original zu vergleichen. Auf diese Weise stehen nun auch alle Textteile und die verschiedenen Randscholien (die in der Ausgabe von Thurn nicht vermerkt sind) der paläographischen und kodikologischen Forschung zur Verfügung. Ein Rückgriff auf die Illustrationen (...) bei S. Cirac Estopañan (Barcelona-Madrid 1965) und A. Grabar – M. Manoussacas (L'Illustration du manuscrit de Skylitzès de la Bibliothèque Nationale de Madrid, Venedig 1979) und die in der Literatur fast gänzlich vergessene Teilausgabe von A. Božkov (Miniatjuri ot Madridskija rŭkopis na Ioan Skylica, Sofia 1972) sind nicht mehr nötig, sofern die mehr als 400 € teure Ausgabe erreichbar ist. (shrink)

Le manuscrit latin 13953 de la Bibliothèque Nationale de France contient aux ff. 25v-41v des gloses en latin et en vieux-haut-allemand portant sur laConsolatio Philosophiae de Boèce. Ces gloses sont transcrites dans leur intégralité ci-après, dans l'attente d'une édition critique complète du soi-disant 'commentaire anonyme de Saint-Gall. (IXᵉ-Xᵉ siècles), transmis dans différentes versions par une quinzaine de manuscrits. Dans l'étude qui précède l'édition, l'auteur analyse le manuscrit et le texte, et il formule des hypothèses sur son origine et (...) sa nature. L'auteur montre que la description de Pierre Courcelle ('Abrégé [de l'Anonyme de Saint-Gall]...') est erronée: le texte, qui constitue la transcription continue d'une glossica circumscriptio, est en fait une rédaction primitive du soi-disant commentaire anonyme de Saint-Gall, mais il contient aussi des gloses sans correspondance dans les versions ultérieures et plus étoffées de cette famille de commentaires. (shrink)

Le manuscrit latin 13953 de la Bibliothèque Nationale de France contient aux ff. 25v-41v des gloses en latin et en vieux-haut-allemand portant sur laConsolatio Philosophiae de Boèce. Ces gloses sont transcrites dans leur intégralité ci-après, dans l'attente d'une édition critique complète du soi-disant 'commentaire anonyme de Saint-Gall. (IXᵉ-Xᵉ siècles), transmis dans différentes versions par une quinzaine de manuscrits. Dans l'étude qui précède l'édition, l'auteur analyse le manuscrit et le texte, et il formule des hypothèses sur son origine et (...) sa nature. L'auteur montre que la description de Pierre Courcelle ('Abrégé [de l'Anonyme de Saint-Gall]...') est erronée: le texte, qui constitue la transcription continue d'une glossica circumscriptio, est en fait une rédaction primitive du soi-disant commentaire anonyme de Saint-Gall, mais il contient aussi des gloses sans correspondance dans les versions ultérieures et plus étoffées de cette famille de commentaires. (shrink)

II is Paris, Bibliothèque Nationale, grec suppl. 1095;2 foll. 280, cmm. 33, 5X22, 8, with forty lines to the page; cent. late XV. Contents: f. Ir, Life of Homer. Iv–24v, Plutarch's dissertation on Homer. 25–222r, Iliad, with scholia. 223–4, blank. 225r–245r, Homeric Hymns III.–XXXIII. ; then the epigram єἰς ξἑνονς.4 245r an epigram on Callimachus' works, which runs thus in this manuscript:ϒμνῶ тὸν νΨίζνчоν ἐν πρώτоις δία.Фоῖβоν δ' ἓπειтα кαὶ тρίтην тὴν ἄρтεμιν.δῆλоν тεтὰρтην εἶтα λоʋтρὰ παλάδоς.ἒктην δὲ τὴν (...) тήμηтραν Тὴν παλαιТέραν.μέλπω δὲ γραὸς τῆς Фιλоξένоν Тρόπη.кαὶ Тὴν ТελενТέαν Тὲ Тὴν ἄγραν.кαὶ Тῶν μεγίσТων αἰТίων Тὴν ТεТράδα.σкώπТω δ' ἱπ' ἀραῖς ἴβоν ἀπоλλῴνιоνкαὶ Тὴν ἀθηνᾶν ѷσТαТоν μέλπω πάλινγρίФω βαθίσТω кαὶ δνσενρήТоισ λόγоισ. (shrink)

Michel Foucault's The Archaeology of Knowledge was published in March 1969; Discipline and Punish in February 1975. Although only six years apart, the difference in tone is stark: the former is a methodological treatise, the latter a call to arms. What accounts for the radical shift in Foucault's approach? Foucault's time in Tunisia had been a political awakening for him, and he returned to a France much changed by the turmoil of 1968. He taught at the experimental University of Vincennes (...) and then moved to a prestigious position at the Collège de France. He quickly became involved in activist work concerning prisons and health issues such as abortion rights, and in his seminars he built research teams to conduct collaborative work, often around issues related to his lectures and activism. Foucault: The Birth of Power makes use of a range of archival material, including newly available documents at the Bibliothèque nationale de France, to provide a detailed intellectual history of Foucault as writer, researcher, lecturer and activist. Through a careful reconstruction of Foucault's work and preoccupations, Elden shows that, while Discipline and Punish may be the major published output of this period, it rests on a much wider range of concerns and projects. (shrink)

Simone de Beauvoir’s early enthusiasm for the philosophy of Henri Bergson (1859-1941)—denied in her 1958 autobiography, Memoirs of a Dutiful Daughter—is a surprising discovery in her 1927 handwritten student diary, as I reported in 1999 and explored at more length in 2003 (Simons 1999; Simons 2003). Discovered by Sylvie Le Bon de Beauvoir after Beauvoir’s death in 1986 and now housed in the Bibliothèque nationale, Beauvoir’s student diary first appeared in print in the 2006 volume, Diary of a (...) Philosophy Student: 1926-27, followed in 2008 by the French publication, Cahiers de jeunesse: 1926-1930. Since my 1999 analysis of the 1927 diary, the publication of the 1926 diary and other posthumously discovered texts has deepened and complicated the evidence of Bergson’s influence.1 In this chapter, I propose to take up and expand upon my earlier analyses in the light of this new evidence, arguing that Beauvoir’s methodological turn to the description of immediate experience, especially her method of writing philosophy in literature and her lifelong interest in describing the subjective experience of time, drew upon Bergson’s philosophy before her first encounter with Husserl’s phenomenology which may have come as early as 1927; that her concept of bad faith and interest in exposing distortions in perception and thinking, as in the chapters in The Second Sex on myths about women, drew upon Bergson’s philosophy long before she had read Marx; and that her earliest formulation of the problem of the Other drew upon Bergson’s distinction between the “social self and the deep self,” two years before she met Jean-Paul Sartre and two decades before she first read Hegel’s Phenomenology. (shrink)

It is indeed a pleasure to introduce this collection of essays that honor one of the world's leading scholars in the field of utopian studies. I have known Lyman Tower Sargent since 1986, when upon moving to St. Louis I was delighted to discover that we lived a short distance away from each other. Our collaboration on a variety of projects has continued ever since then, most notably in the series Utopianism and Communitarianism, published by Syracuse University Press; as intellectual (...) advisers to the New York Public Library/Bibliothèque Nationale exhibition Utopia, which took place in 2000; in the two editions of The Utopia Reader ; in many years of joint "skills"... (shrink)

Co-authored by a Computer Scientist and a Digital Humanist, this article examines the challenges faced by cultural heritage institutions in the digital age, which have led to the closure of the vast majority of born-digital archival collections. It focuses particularly on cultural organizations such as libraries, museums and archives, used by historians, literary scholars and other Humanities scholars. Most born-digital records held by cultural organizations are inaccessible due to privacy, copyright, commercial and technical issues. Even when born-digital data are publicly (...) available, users often need to physically travel to repositories such as the British Library or the Bibliothèque Nationale de France to consult web pages. Provided with enough sample data from which to learn and train their models, AI, and more specifically machine learning algorithms, offer the opportunity to improve and ease the access to digital archives by learning to perform complex human tasks. These vary from providing intelligent support for searching the archives to automate tedious and time-consuming tasks. In this article, we focus on sensitivity review as a practical solution to unlock digital archives that would allow archival institutions to make non-sensitive information available. This promise to make archives more accessible does not come free of warnings for potential pitfalls and risks: inherent errors, "black box" approaches that make the algorithm inscrutable, and risks related to bias, fake, or partial information. Our central argument is that AI can deliver its promise to make digital archival collections more accessible, but it also creates new challenges - particularly in terms of ethics. In the conclusion, we insist on the importance of fairness, accountability and transparency in the process of making digital archives more accessible. (shrink)

The following Addenda and some Corrigenda were derived for the most part from manuscripts examined in the summer of 1964 and in the spring and summer of 1965, 1967 at Bologna University ; London, British Museum ; Munich, Bayerische Staats-Bibliothek, Codex Latinus Monacensis ; Orlèans; Oxford, the Bodleian ; and Merton College ; Paris, Bibliotheque nationale , and University ; Tours; Vatican, Bibliotheca Apostolica Vaticana ; and Vienna, National-Bibliothek . A number are noted from other sources, namely Silvestre , (...) Wickersheimer , et alia. They supplement the late Lynn Thorndike's “Additional Addenda et Corrigenda” in Speculum , and are here offered for the convenience of users of the Catalogue of Incipits. jQuery.click { event.preventDefault(); }). (shrink)

For Bernd Niebling and his colleagues at the Lesesaal Altes Buch of the Universitätsbibliothek MünchenWhile the earliest complete manuscripts of Catullus to survive today were written in the fourteenth century, it is well known that poem 62 already appears in an anthology from the ninth century, the Codex Thuaneus (Paris, Bibliothèque nationale de France, Parisinus lat. 8071). However, the Thuaneus may once have contained one more poem of Catullus. In his commentary on the poet, which appeared in 1684 (...) but had been written decades earlier, the Dutch scholar Isaac Vossius makes the following comment on the last two lines of poem 11:Praetereunte postquam Tactus aratro est] Vetustissimum exemplar Thuanæum in quo hoc Catulli carmen variorum epigrammatis subjungitur, legitfractus, nontactus. Et hoc probo, nisi malisstratus, nam in quibusdam libristractuslegebatur.It is surprising to find a reference to a lost part of such a well-known manuscript in a source from the seventeenth century. One may well ask whether Vossius really read this poem in the Codex Thuaneus. Could he have seen this manuscript? Can he be relied on to report its contents truthfully? And could a part of the volume have been lost since the seventeenth century? I will argue that the answer to all these questions is yes, and that it is very likely that the Thuaneus once contained Catullus 11 as well as 62. I will set out the consequences of this for our understanding of Catullus' manuscript tradition. Next, I will discuss another ancient manuscript of Catullus that Vossius claims to have read, namely his ‘vetus liber Mediolanensis’. The article will close with an appendix on the history of the Thuaneus before it was studied by Vossius. (shrink)

O presente trabalho pretende analisar as relações entre loucura e obra no jovem Foucault, isto é, no Foucault dos anos 1950 que realiza seu curso sobre antropologia (La Question Anthropologique) em Lille e na ENS entre 1952 (ou 1951) e 1955. Para estabelecer o problema, o texto começa com uma contextualização inicial sobre os inéditos de Foucault disponibilizados desde 2013 na BNF. Então o texto constrói o problema a partir de comentadores (especiamente Jean-Baptiste Vuillerod) e encontra na figura de Karl (...) Jaspers um interlocutor importante, em torno do qual Foucault gira para estabelecer suas próprias posições. Jaspers, psiquiatra e filósofo, contém teses sobre a loucura, a obra e a civilização diretamente ligadas aos interesses do jovem Foucault. Tanto a leitura de Jaspers sobre Nietzsche, quanto a das relações entre loucura e obra, serão importantes para o jovem Foucault, pois é por meio de Jaspers - dentre outros - que uma psicologia da loucura e da obra (seja qual for seu paradigma) desemboca na análise de figuras como Maurice Blanchot, na leitura singular que Foucault faz de Nietzsche e nos problemas que o levarão a uma história da loucura. *** *** -/- This article aims to analyze the relation between madness and work (oeuvre) in the “young Foucault”, focusing on the Foucault’s lessons of Anthropology taken in Lille and at the ENS between 1952 (or 1951) and 1955, under the title La Question Anthropologique. In order to place this problem, the text begins with an initial contextualization of Foucault’s unpublished works, only made available since 2013 at Bibliothèque Nationale de France. Then the article passes to the question of the madness and work according to some commentators (especially Jean-Baptiste Vuillerod) and finds in the figure of Karl Jaspers an important author, whose reference serves for Foucault to compose his own positions. Jaspers, psychiatrist, and philosopher, contains theses on madness, work and civilization directly linked to the interests of the young Foucault. Both Jaspers’ reading of Nietzsche and considerations about madness and work will be important for the young Foucault, as it is through Jaspers (among others) that the psychological and existential positions on madness and work leads Foucault to the analysis of figures like Maurice Blanchot, to his own reading of Nietzsche and the problem of a history of madness. (shrink)

O presente trabalho enfoca as relações entre antropologia e verdade nos escritos de Foucault dos anos 1950, tendo sob alvo o lançamento recente do escrito até então inédito intitulado Binswanger et l’Analyse Existentielle. Para isso, num primeiro momento o texto contextualiza essa publicação à luz do depósito, em 2013, de novos materiais de Michel Foucault na Biblioteca Nacional da França. Depois, ele passa à análise dos textos dos anos 1950 e insere o novo texto nos demais debates. Finalmente, o artigo (...) enfoca a questão antropológica em três eixos: as relações antropologia x psicopatologia, o lugar da fenomenologia na argumentação de Foucault e os limites das considerações de Binswanger e da Daseinsanalyse. ] ] ] *** [ [ [ The present work focuses on the relationship between truth and anthropology in the Foucault's first writings from the 1950s, targeting the recent release of the (until now) unpublished writing “Binswanger et l'Analyse Existentielle”. To shed some light on such relationship, firstly the article contextualizes the new book under the recent deposit of several foucauldian writings at Bibliothèque Nationale de France, at last since 2013. Secondly, it contextualizes the place of the new book under the published texts from the 1950s. Finally, the article analyses the book considering the anthropological problem under three main issues: the relationship between anthropology and psychopathology, the place of phenomenology in Foucault's argumentation, and the limits of the Daseinsanalyse and Ludwig Binswanger’s theorisations. (shrink)

Résumé Les Communia gramatice, un compendium grammatical anonyme rédigé autour de 1250 dans le milieu éclectique de la Faculté des arts de Paris et contenu aujourd’hui uniquement dans le manuscrit 16617 du fonds latin de la Bibliothèque nationale de France, traitent entre autres du statut linguistique de l’interjection. La notion de signification, au sens de contenu de connaissances et de rapport référentiel entre un mot et son signifié, y joue un rôle fondamental : la principale difficulté onto-grammaticale présentée (...) par l’interiectio étant précisément de déterminer la nature de sa signification. L’auteur anonyme des Communia gramatice pose clairement la distinction classique entre la signification d’une émotion et la signification d’un concept, mais y apporte des nuances intéressantes de nature cognitive : nous sommes à une époque où la philosophie naturelle aristotélicienne vient tout juste de rencontrer la grammaire spéculative typiquement parisienne.The Communia gramatice, an anonymous grammatical compendium emanating from the eclectic mediaeval Faculty of Arts of Paris and only preserved nowadays in the manuscript 16617 of the Bibliothèque nationale de France’s latin claim, deal, among other things, with the linguistic status of interjections. The notion of meaning, as a content of knowledge and a referential connection between a word and his signified, is fundamental : the main onto-grammatical problem with interjections being precisely that the nature of their meaning is quite uncertain. The anonymous author of the Communia gramatice clearly poses the standard distinction between the meaning of a feeling and the meaning of a concept, but puts into it some interesting thoughts of cognitive subject-matter : these theories belong to a time when the Aristotelian natural philosophy just met the typical Parisian speculative grammar. (shrink)

Ever since the work of Otto Miiller it has been generally agreed that the most important manuscript of the Thebaid is Puteaneus , a ninth-century manuscript in the Bibliothèque Nationale . It is not only the earliest extant manuscript but it has a large number of readings not found elsewhere, many of which are obviously preferable to what is offered by the other tradition, normally referred to as ω. Both traditions are early, however, since Lactantius depends on inferior (...) ω material while Priscian seems to have followed the P tradition. (shrink)

The first comprehensive examination of the debate between Leo Strauss and Alexandre Kojève on the subject of philosophy and tyranny. On Tyranny remains a perennial favorite, possessing a timelessness that few philosophical or scholarly debates have ever achieved. On one hand, On Tyranny is the first book-length work in Leo Strauss’s extended study of Xenophon, and his “Restatement” retains a vivacity and directness that is sometimes absent in his later works. On the other, “Tyranny and Wisdom” is perhaps the most (...) succinct yet fullest articulation of Alexandre Kojève’s overall political thought, and it presents what may be the most uncompromising alternative to Strauss’s position as a whole. This volume contains for the first time a comprehensive and critical examination of the debate from scholars well versed in the thought of Strauss, Kojève, Hegel, Heidegger, and the end of history thesis. Of particular interest will be the appendix, which offers for the first time Kojève’s unabridged response to Strauss, a response previously available only from the Fonds Kojève at Le Bibliothèque Nationale de France. Accessible to students and scholars alike, this volume works equally well in the classroom and as a resource for more advanced research. (shrink)

Manuscripts and notes by Michel Foucault on the visual arts recently deposited at the Bibliothèque Nationale reveal a reliance on canonical oil paintings by the ‘old masters’; a respect for the primary sources in the history of European art; an understanding of the necessity of research in both literary and visual sources, particularly self-portraits; and a sense of the value that a certain philosophical milieu – beginning with Sade and Nietzsche and expanding to his near contemporaries, Bataille, Blanchot, (...) and Klossowski – could offer to an understanding of paintings. The essay argues that Pierre Klossowski’s monumental drawing La Nef des fous (1990) provides an essential key for understanding the place of Hieronymus Bosch’s painting of the same title in History of Madness and the centrality of theories of similitude to Foucault’s thinking about visuality ca. 1960–74. The later significance of the figure of the artist for Foucault can be traced to these earlier writings on painting and madness. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IntroductionCarolyn J. Dean (bio)... even since he [Nietzsche] became famous has he ever been anything but an occasion for misunderstanding?—Georges Bataille, The Accursed ShareAt the current juncture in the history of studies “on Bataille,” admiration and indebtedness have given way to admiration constrained by ambivalence and indebtedness complicated by a desire for accountability. This special issue provides an opportunity to work through these inevitable critical shifts, symptoms of an (...) immeasurable debt to a writer from whom we have necessarily taken distance. It is also an occasion to ask about our own investments in the renewed production of Bataille.During his lifetime (1897–1962), Georges Bataille was called many names, including a “pornographer” and a fascist, and when he died he became a cult figure among some intellectuals, for whom he represented an eclectic and unappreciated thinker. Since his untimely death, Bataille has become very famous. Now, according to Jürgen Habermas, this former librarian at the Bibliothèque Nationale, editor of Critique, author of covertly circulated erotic books and other works that did not sell well, stands first in a line of French intellectuals leading from “Bataille via Michel Foucault to Jacques Derrida” [Habermas 14]. 1 Bataille’s remains are located in the posthumanist pantheon: his work is joined to the giants of the French philosophical, psychoanalytic, and literary heritage, including Jean-Paul Sartre, Jacques Lacan, and Maurice Blanchot; he has been the subject of countless literary exegeses and even of a prizewinning biography [see Surya]. Bataille no longer has the merit of being unknown.But who is the Bataille we pretend to know? He is the one with whom many critics identify, yet his work is necessarily misunderstood, sometimes (but not always) in the interests of preserving its insights. Critical work on Bataille naturally emphasizes his theory of dépense (expenditure), his mysticism, his attraction to the sacrificial, sadomasochistic erotics of fascist politics, and tends, viscerally if implicitly, to identify with Bataille’s refusal to be hard in the conventional sense—his repudiation of impermeable, phallic masculinity and its association with moral resolve. In 1945, Bataille wrote that he was the “contrary of him who tranquilly watches the dismasted vessels from the shore, because in fact... I cannot imagine anyone so cruel that he could notice the one who is dismasted with such carefree laughter. Sinking is something altogether different, one can have it to one’s heart’s content...” [OC 6:358]. In 1966, a sensitive critic wrote: “Bataille’s cogito, thus, reads: ‘I sink therefore I am’” [Hollier 138]. In other words, Bataille was no proponent of a sink-or-swim philosophy, but of “the hard desire to endure”—words he wrote to describe Vincent Van Gogh, whose self-mutilation was, from Bataille’s perspective, the necessary precondition of his art. This hard desire is paradoxically the hard labor of unbinding the self, a project that entails yet moves beyond empathizing with those caught in the storm: Bataille insisted that creation required symbolic castration rather than the phallic virtue of the moral man or the swollen pride of those who volunteer heroically for the rescue mission (“Heroism,” he said, “is an [End Page 3] attitude of flight” [OC 5: 347]). As countless critics have demonstrated, even Bataille’s most relentlessly hard-core texts use sexuality as an allegory for the self-shattering of the phallic body.The sacrificial constitution of the man who would sink—for this Bataille was giddily embraced after his death. By 1990, when Yale French Studies devoted a special issue to him, the embrace was equally enthusiastic, but giddiness had given way to some defensiveness. Those theorists who did not admire Bataille equated his repudiation of phallic virtue with the ego-dissolving sublimity of fascism. After all, some of his friends and intellectual heirs had been subjected to public scrutiny for their anti-Semitic, often fascist sympathies. Implicitly defending Bataille, the editor of that special issue insisted on Bataille’s “ethics” of sacrifice. He claimed that Bataille held “onto the possibility of an ethics” through a paradoxically “incessant repositing of the ethical” [Stoekl 2, 5]. This account of Bataille’s ethics avoids the problem that the ethics of sacrifice in... (shrink)

Institution and Passivity is based on course notes for classes taught at the Bibliothèque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning with the dimension of history, furthering discussions and completing arguments started in The Visible and the Invisible and Signs. Leonard Lawlor and Heath Massey’s translation makes available to an English-speaking readership a critical transitional text in the history of phenomenology.

The catalogues of works by John Buridan include a commentary on the De secretis mulierum by pseudo-Albertus Magnus. The same commentary is also attributed to Buridan in more general studies on medieval natural philosophy as well as in catalogues of manuscripts and repertories of incipits of medieval scientific writings. In most cases, a unique manuscript copy of this commentary is mentioned, namely Erfurt, Universitätsbibliothek, Dep. Erf., CA Q.299. However, in her Répertoire of Masters of Arts at the University of Paris, (...) Olga Weijers claims that Buridan’s commentary on De secretis mulierum can also be found in a different redaction in another manuscript: Paris, Bibliothèque Nationale de France, Ms. lat. 8513. This article examines the question of the attribution of these texts to Buridan. First, it argues that the Parisian text is not a commentary by Buridan on De secretis mulierum but rather a different version of pseudo-Albertus’ work, and second, that Buridan can be considered the author of the quest... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IntroductionCarolyn J. Dean (bio)... even since he [Nietzsche] became famous has he ever been anything but an occasion for misunderstanding?—Georges Bataille, The Accursed ShareAt the current juncture in the history of studies “on Bataille,” admiration and indebtedness have given way to admiration constrained by ambivalence and indebtedness complicated by a desire for accountability. This special issue provides an opportunity to work through these inevitable critical shifts, symptoms of an (...) immeasurable debt to a writer from whom we have necessarily taken distance. It is also an occasion to ask about our own investments in the renewed production of Bataille.During his lifetime (1897–1962), Georges Bataille was called many names, including a “pornographer” and a fascist, and when he died he became a cult figure among some intellectuals, for whom he represented an eclectic and unappreciated thinker. Since his untimely death, Bataille has become very famous. Now, according to Jürgen Habermas, this former librarian at the Bibliothèque Nationale, editor of Critique, author of covertly circulated erotic books and other works that did not sell well, stands first in a line of French intellectuals leading from “Bataille via Michel Foucault to Jacques Derrida” [Habermas 14]. 1 Bataille’s remains are located in the posthumanist pantheon: his work is joined to the giants of the French philosophical, psychoanalytic, and literary heritage, including Jean-Paul Sartre, Jacques Lacan, and Maurice Blanchot; he has been the subject of countless literary exegeses and even of a prizewinning biography [see Surya]. Bataille no longer has the merit of being unknown.But who is the Bataille we pretend to know? He is the one with whom many critics identify, yet his work is necessarily misunderstood, sometimes (but not always) in the interests of preserving its insights. Critical work on Bataille naturally emphasizes his theory of dépense (expenditure), his mysticism, his attraction to the sacrificial, sadomasochistic erotics of fascist politics, and tends, viscerally if implicitly, to identify with Bataille’s refusal to be hard in the conventional sense—his repudiation of impermeable, phallic masculinity and its association with moral resolve. In 1945, Bataille wrote that he was the “contrary of him who tranquilly watches the dismasted vessels from the shore, because in fact... I cannot imagine anyone so cruel that he could notice the one who is dismasted with such carefree laughter. Sinking is something altogether different, one can have it to one’s heart’s content...” [OC 6:358]. In 1966, a sensitive critic wrote: “Bataille’s cogito, thus, reads: ‘I sink therefore I am’” [Hollier 138]. In other words, Bataille was no proponent of a sink-or-swim philosophy, but of “the hard desire to endure”—words he wrote to describe Vincent Van Gogh, whose self-mutilation was, from Bataille’s perspective, the necessary precondition of his art. This hard desire is paradoxically the hard labor of unbinding the self, a project that entails yet moves beyond empathizing with those caught in the storm: Bataille insisted that creation required symbolic castration rather than the phallic virtue of the moral man or the swollen pride of those who volunteer heroically for the rescue mission (“Heroism,” he said, “is an [End Page 3] attitude of flight” [OC 5: 347]). As countless critics have demonstrated, even Bataille’s most relentlessly hard-core texts use sexuality as an allegory for the self-shattering of the phallic body.The sacrificial constitution of the man who would sink—for this Bataille was giddily embraced after his death. By 1990, when Yale French Studies devoted a special issue to him, the embrace was equally enthusiastic, but giddiness had given way to some defensiveness. Those theorists who did not admire Bataille equated his repudiation of phallic virtue with the ego-dissolving sublimity of fascism. After all, some of his friends and intellectual heirs had been subjected to public scrutiny for their anti-Semitic, often fascist sympathies. Implicitly defending Bataille, the editor of that special issue insisted on Bataille’s “ethics” of sacrifice. He claimed that Bataille held “onto the possibility of an ethics” through a paradoxically “incessant repositing of the ethical” [Stoekl 2, 5]. This account of Bataille’s ethics avoids the problem that the ethics of sacrifice in... (shrink)

In an article recently published in this journal Prof. David F. Hult argues that a distich absent from Paris, Bibliothèque Nationale, MS fonds français 794 , is superfluous to a proper understanding of Chrétien de Troyes's Le Chevalier de la Charrette . Quite possibly, Hult argues, it represents a scribal accretion that can make no irrefutable claim to be indispensable to a modern scholarly edition of this text. The distich in question was printed by Wendelin Foerster in his (...) edition of the Charrette . Here is Foerster's text. (shrink)